gallery-zero.com
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2008 22 cps gallery  “cps 22”  (photo)  group/nyc
2005  mission cultural center for latino arts    “solo mujeres: tactica
y estrategia  tactics and strategies”  (photo)  group/san francisco, ca
2002-2004  tribes gallery   “the charles parker festival” (photo)  
group/new york, ny
2000  tribes gallery    “the charlie parker festival”    
(photo)  group/new york, ny
1996 café international    “woodstock ‘94”    
(photo)  solo/san francisco, ca
1995  la passerelle    “woodstock ’94”   
(photo)  solo/marseille, france abc no rio    “art for the zapatista
movement”    (photo)  group/new york, ny hudson grill & gallery    “city
scapes”    (photo)  group/new york, ny tribes gallery    “woodstock
1964/1994”    (photo)  group/new york, ny
1994 tribes gallery    “multiple
exposures”  (photo)  solo/new york, ny painted bride gallery    “narrative:
language/texts/imagery” (mixed media)  group/philadelphia, pa
1993  
tribeca 146 gallery    “reflections, a legacy unearthed, discovery of the
duane st. burial site”    (mixed media)  group/new york, ny b.o.b.   “n.y.
power dichotomy”  (photo montage)  group/new york, ny
1989  179
varick    “mica”  (photo)  solo/new york, ny atlantic liberty    “the coalition
of independent artists” (mix media)  group/brooklyn, ny
1988  black +white
gallery    (photo)  group/bronx, ny whitney museum of american art    
“staff show”    (mixed media)  group/new york, ny
keeping these thoughts in mind, i use photography as a means to
communicate unity.  by using the digital format, it is easier for me to put
what i photograph out of context, thereby, forcing the viewer to
reinterpret what they may see on a daily basis.
i believe art can unite different minds and breaks down barriers created
by our news media.  Once you capture someone's interest with your art,
you unleash a curiosity that grows into a thirst to learn about a different
culture… a different race… a different people
Mica D'Orléans
born in nyc, based in nyc and san francisco